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Tuesday, March 30, 2010

Havar Havar by Kourosh Yaghmaei

Kourosh Yaghmaei (Persian: کورش يغمائي) is one of the first Iranian rock musicians.
Kourosh was 10 when his father gave him a gift that revealed his talent for music. It was a Santour (the Persian traditional string-percussive dulcimer). According to his mother, when he opened his present, after a few tries, he started to play a tune. Not to mention that he had never touched a Santour before. After 5 years of practice he gained precious knowledge of Iranian traditional music along with excellent skills in playing Santour.

At the age of 15 he chose to play the guitar, which he has always loved. He gathered his own Pop/Rock bands which he both composed for and played in. He mostly played the lead guitar. In fact Kourosh introduced Rock music to Iran with a Pop formation of songs. At that time he received several tempting offers from western musicians and bands’ managers to join them.

In his senior year as a Social Science student at the Iran National University (DANESHGHAH-e MELLI-e IRAN), Kourosh released his first single hit GOL-e YAKH. The poem was written by his classmate, now-famous poet Mahdi Akhavan Langeroudi. This memorable love song led him to worldwide fame. He orchestrated, composed, played and sang the song. The song received international attention. It was re-played and sang in several other languages by their local musicians. His voice was banned for 17 years after The islamic revolution in 1979. In these years he published children stories on books and cassettes. He released an instrumental album called DIYAAR (Homeland). It was an orchestration of endemic songs for Grand National Orchestra. He also took some guitar students. His first album SIB-e NOGHRE’EE (Silver Apple) was released after the ban was lifted. His picture was only allowed to be published in his albums after 24 years. It has to be noted that Kourosh has learnt all different aspects of music without having any music teacher or instructor.

Monday, March 29, 2010

Piya Haji Ali - Fiza

Fiza proves a key point I have been aching to state of late; in the long-run, it takes creative, unique and situational lyrics in tandem with pleasant music to make a Classic Soundtrack. Anu Malik, A.R. Rahman and "long-time no hear" Ranjit Barot are three of our best music directors. That fact is indisputable. But to make any of their individual scores immemorable, they also need the complement of great lyricists. (Can you ever forget Rangeela or Kareeb?) The vast disparity in song quality between Fiza's different tunes is ample proof of my assertion. 

A.R. Rahman and Shaukat Ali should share the gloriy that is "Piya Haji Ali" with all of Bollywood.  The Arabic tune meets Taal style music is fine.  



Sunday, March 28, 2010

Arziyan- Delhi 6

The world’s singing laurels of Indian ace A R Rahman post Golden Globes. Back home we always realized and recognized his musical magic. Rahman again teams up with Rakeysh Mehra and Prasoon Joshi post their achievement in Rang De Basanti , for Delhi-6 . An interesting observation is how Rahman has cut down on established singers like Sonu Niigam, Sukhwinder Singh, Udit Narayan and Alka Yagnik and is employing more of new-age voices like Javed Ali, Benny Dayal and Mohit Chauhan to good effect.

The album makes a divergent shift to a Sufi qawalli . Rahman uses a calm and countryside combination of Javed Ali and Kailash Kher for this 9-minute long devotional number Arziyan . Javed Ali continues to sound like Sonu Niigam like he did in Jashn-e-Bahaara ( Jodhaa Akbar ) though one doesn’t complain. While Rahman effortlessly adapts to the new milieu, Prasoon Joshi shows equal versatility in his writing. 

This song was suggested by Vaibhav Naik aka BOBO of Tampa bay fame.


Saturday, March 27, 2010

Khwaja Mere Khwajaa - Jodha Akbar

This brilliant song from Jodha Akbar is one of my lifetime favorites, A great composition by Rahman. Brilliance of the song not only lie in its lyrics, but also on the recording front. I don’t remember listening to a song which is layered as much as this one is. Layered? .. Remember Rahman is the only singer who has sung this and no chorus, just try to find out how many number of layers the vocal has, overlapping or being together in the qawali chorus. its just one single voice which has been multiplied to form a chorus! technical brilliance!! Probably only Rahman knows how to use Logic Pro so well! :) Also hear the bass guitar in beginning, OMG bass guitar (1:20 to 1:27) in a qawali ? Who else can do this other than Rahman!
This song was actually not composed for the movie, it was one of the templates which Rahman recorded for himself to listen to. Gowariker liked this so much that he wanted this to be in the movie, and he created a sequence for the song.
About this song… Sung for Moinuddin Chishti also known as Gharib Nawaz (Urdu: غریب نواز ), is the most famous Sufi saint of the Chishti Order of South Asia. He was born in 536 A.H./1141 CE, in Sajistan, Khorasan (other accounts say Isfahan) in Persia. He is also known as “Sultan-e-Hind”. He claimed his progeny to Muhammad through the sixth Shia Imam, Jaʿfar ibn Muhammad as-Sadiq.
He was one of the most outstanding figures in the annals of Islamic mysticism and founder of the Chistiyya order in India.


Here goes the lyrics of the song with the translation…
Khwajaji, khwaja
(O saint khwaja)
Khwajaji, khwaja, khwaja ji
(O saint khwaja) ; (O saint khwaja)
Ya gharib nawaz
(The one who cherishes/soothes the poor)
Ya moinuddin, ya khwaja ji
(O Moinuddin Chisti), (O khwaja saint)
Khwaja mere khwaja
(O saint khwaja)
Dil mein sama ja
(Reside in my heart)
Shaho ka shah tu
(You are the king of kings)
Ali ka dulara
(Ali’s beloved)
Khwaja mere khwaja dil mein sama ja
(O saint khwaja); (Reside in my heart)
Beqaso ki taqdeer, tune hai sawari
(The destiny of the ones in despair, you have changed for the better)
Khwaja mere khwaja
(O saint khwaja)
Tere darbar mein khwaja
(At your door, o khwaja)
Door toh hai dekha
(I’ve seen it from afar)
Sar jhuka te hai auliya
(Your confidents/protectors/confessors bow down to you)
Tu hai Hindalwali khwaja
(You are the hindalwali Khwaja)
Rutba hai pyara
(Your status is glorious/great)
Chahne se tujhko khwaja ji mustafa ko paya
(By wishing/worshipping you Khwaja, I have found Muhammad [the chosen one])
Khwaja mere khwaja
(O saint khwaja)
Dil mein sama ja
(Reside in my heart)
Shaho ka shah tu
(You are the king of kings)
Ali ka dulara
(Ali’s beloved)
Mere peer ka sadka
(The alms of my old age)
Hai mere peer ka sadka
(It is the charity of my old age)
Tera daaman hai thama
(That I have come in your refuge)
Khawajaji
Tali har bala humari

(All my problems/crisis have been averted)
Chaya hai khumar tera
(Your trance is all over me)
Jitna bhi rashk kare beshak
(No matter how much one may envy (rashk) be jealous)
Toh kam hai ae mere khwaja
(Its just too less, o khwaja)
Tere kadmo ko mere rehnuma nahi chodna gawara

(Its not acceptable(gawara) , o my guide(rehnuma), to leave your feet(kadmo)now.)
Khwaja mere khwaja
(O saint khwaja)
Dil mein sama ja
(Reside in my heart)
Shaho ka shah tu
(You are the king of kings)
Ali ka dulara
(Ali’s beloved)
Khwaja mere khwaja dil mein sama ja
(O saint khwaja); (Reside in my heart)
Beqaso ki taqdeer, tune hai sawari